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Photographing Your Artwork - Scroll Saw Workshop
IN THE BEST LIGHT
Photographing YOUR ARTWORK
Page 1 Page 2 Page 3 Page 4
Intarsia Dragon Busy Background
A busy background or one of similar texture and tone can totally upstage the subject of a photograph.
Fretwork
Not only can textures and color be distracting, but countertops, cupboards and
furnishings can draw attention away from the project. This photo also suffers from the glare created by the camera’s onboard
flash unit.

Background

A good background for a photo doesn’t draw the eye away from the project.

The project should be the focal point of the photograph. The texture and lighting should focus on the scrolled work. That is why it is important to think about what is behind your project when taking a photo.

A good background makes the project stand out. That means, for a light project, choose a dark background. A dark project shows up best against a light background.
Try to pick a plain background. Poster board, a bed sheet, a canvas drop cloth, or some sort of fabric all work well. If you are using fabric, be sure it is clean and free of folds, wrinkles and lint. A roll of photo background paper is your best bet and can be picked up at a photo supply store.
Make sure paper backdrops do not have tears or creases. Avoid putting the project on a piece of carpet—the camera will pick up any color variation in the carpet and the carpet’s weave will distract the eye. Besides, it will look like you just placed your artwork on the floor.

Most scrolled work is small enough to move around, but delicate fretwork (such as a large clock) or large intarsia can be difficult to move. In these cases, you need to be even more aware of your background. Detailed wood grain patterns, such as wall paneling, are distracting and pull the emphasis off the scrolled project.

If you want to photograph your project in the shop, try throwing some cloth over your extra tools or move the project to the least busy part.

Whatever you choose as a background for your project, make sure the project is far enough away that your lights don’t cast a shadow onto the background. This shadow can be as distracting as a textured background—especially to fretwork pieces with heavy detailing.

Above all, think about where you are going to photograph your work. Resist using the sofa or kitchen table as a photo studio. If you have room to scroll, you have room to shoot.

TIP

Plywood Photo StudioPlywood Photo Studio
Crosscut a sheet of 3/4" plywood into two 4' x 4' sections and join them with three utility hinges along one edge. Set it up on sawhorses and open it up to rest one half against a wall. You now have a portable photo stage that folds flat when not in use, but provides sturdy support for backdrops and projects when needed. You can cut handles into the plywood to make it easier to carry.

When not in use as a photo studio, you can use it to store and protect flat items like drawings, plans and blueprints— or use it as workspace for gluing, assembling and painting or finishing your projects.

TIP
Background Material
A terrific photographic backdrop for small scrolled projects is a good sized sheet of matte laminate used for making countertops. It will flex to create a stage and background, cleans up easily, and will never crease or tear. Although laminate comes in hundreds of colors, it is best to use neutral shades. It is available at most home centers in limited colors, or can be custom ordered.

 

 

 


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