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IN THE BEST LIGHT
Photographing YOUR ARTWORK
Page 1 Page 2 Page 3 Page 4
Fretwork Deer
A slight change of angle adds great visual appeal to this deer fretwork project, a Lora S. Irish design, scrolled by Dave Penman.
Fretwork Deer
Here the project was shot from the front with only the on-board flash. The details are washed out and the project looks very flat, and not that interesting. Note the harsh, close shadow created by the flash.
Fretwork Deer
Poor focus will render a photo useless regardless of high resolution and good lighting. An image that is out of focus cannot be digitally corrected.

Position the lights to the left and the right of the camera (as shown in the illustration). Aim them so they illuminate all of the project, but cast no harsh shadows. If you are not careful, you will get a harsh
shadow on both sides of your project, but careful positioning will eliminate the harsh shadows.

DO NOT eliminate the shadows on both sides of the project. Leave one subtle shadow on one side of the project. If you eliminate all the shadows, the project will appear out of focus.

It sometimes helps to shift the pose of the project to highlight details, instead of shooting the photo straight on.

The last lighting concern is glare. The usual culprit for producing excessive glare is the camera’s own on-board flash. Many projects have a glossy finish—and if the finish is glossy enough to refl ect ordinary light, then the bright light of a flash will appear as a glare to the camera.

Override the camera’s flash unit when shooting any glossy subject. If you are not using a flash and glare is still a problem, change the angle of your lights or the subject itself, as it is most likely reflecting light directly into the camera lens. You may also need to move the lights further away from the project.

Focus

Most people have what are called “point and click” cameras with an auto focus feature. No one wants to fiddle around with a lens to try to get something into focus. But auto focus cameras tend to pick one spot on the piece and focus on that specific part throwing the rest of the project
out of focus.

For the most part, cameras have difficulty focusing on a subject when you are very close to it, or using the zoom function too much. If pulling back a little bit doesn’t help the camera focus on the entire subject, hold a $1 bill in the center of the project—where you want the camera to focus—until the camera’s auto focus locks in. Remove the bill and snap the photo.

Intarsia Dragon
Intarsia Dragon
Intarsia Dragon
Too much light and slight overexposure can “blow out” the highlights of a photo.
The glare off the glossy finish of
this project is distracting and hides the details.
Too little light makes the photo
appear flat.
 
 

 


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